Maxim Zhestkov

Han Yajuan presents Volumes, 2018, Artificial Organisms, 2021, Elements, 2017, and Metaphysics, 2022, in the Contemporary Artists Room

  • Volumes An abstract representation of transformation and resilience, Volumes is an observation of digital sculptures consisting of millions of spherical particles.

Maxim Zhestkov, Volumes 1
Maxim Zhestkov, Volumes 2
Maxim Zhestkov, Volumes 3
Maxim Zhestkov, Volumes 4
Maxim Zhestkov in the studio

  • Artificial Organisms A combination of biological symmetry and impeccable digital matter, they are a representation of budding artificial intelligence. Art film and series of artworks, 2021

Maxim Zhestkov, Artificial Organisms 1
Maxim Zhestkov, Artificial Organisms 2
Maxim Zhestkov, Artificial Organisms 3
Maxim Zhestkov, Artificial Organisms 4

  • Elements is an artistic exploration of the idea that every system and process can be broken down into elementary blocks and described as relationships of these bits. Art film, 2017

Maxim Zhestkov, Elements 1
Maxim Zhestkov, Elements 2
Maxim Zhestkov, Elements 3
Maxim Zhestkov, Elements 4

  • Metaphysics A series of artworks experimenting with material in the digital vastness. Series of artworks, 2022

Maxim Zhestkov, Metaphysics 1
Maxim Zhestkov, Metaphysics 2
Maxim Zhestkov, Metaphysics 3
Previous

Han Yujaun